Showing posts with label Nick Lenz. Show all posts
Showing posts with label Nick Lenz. Show all posts

May 4, 2022

Invasive Japanese Honeysuckle (Lonicera japonica & related species) for Bonsai

            It's May which means that trees here in Ohio have been slowly waking up and spring is creeping northward! This also means we just passed the best time of year to root prune trees for repotting or for collecting wild trees to train as bonsai. Although collecting wild bonsai is an exciting method to gather prebonsai, many bonsai artists are unable to utilize this source of bonsai material due to a lack of access to public land where tree collection is permitted or some novices with such access may just be too intimidated by the prospects of killing trees during transplanting. One solution to both of these issues is to coordinate with local governments on removing unwanted, invasive species and attempt to utilize those species for bonsai. This three-part article series will cover a story of local collaboration in Ohio doing just that. I am happy to report that the Columbus Metro Parks now have a few less invasive Japanese Honeysuckle to worry about and the members of the Columbus Bonsai Society were allowed free access to digging wild bonsai material from our local forests. Additionally, this event allowed interested CBS members to learn about digging wild trees in a guided and hands-on fashion while also practicing guilt-free on material that is limitless (invasive trees) which would otherwise be destroyed during the city government's efforts to maintain native ecosystems.

            Today's portion of this 3-part series will focus on the invasive Japanese Honeysuckle and related Lonicera species which we collected at the CBS Honeysuckle Dig event last month. Below you will find specimen bonsai showing the potential of these species and observations from the woods as to which honeysuckle trees may make good bonsai. Future installments will cover the club dig event itself including essential information on the basics of what tools are needed and how to dig from the deciduous forests of Ohio. Finally, the last article in the series will cover other invasive species of the United States (with links to resources for other locations around the world), highlighting those which have known bonsai potential.

Sections

This honeysuckle was collected by the late Nick Lenz and has been styled and cared for by Nick's student, Andy Rutledge (Source). The face carved into the tree fits nicely with Nick Lenz's signature macabre and fantastical style; you can see more examples of this style in an earlier article I wrote on the subject.

April 4, 2017

Pacific Bonsai Museum "Natives" Preparation: Eastern Larch

Source material: 2017, January 8

          This is the second installment covering the five trees Bonsai Man Dan and I have prepared for an exhibit at the Pacific Bonsai Museum centered around bonsai of species which are endemic to North America (hence the exhibit name, "Natives"). I encourage anyone who is in the area to attend the opening celebration this upcoming Saturday, April 8th. I hope and expect the artist panel to provide plenty of enlightening bonsai discussion. Scott Elser, Michael Hagedorn, Randy Knight, Ryan Neil, and Dan Robinson were all invited to bring trees for the show and will be in attendance.
         Today's installment covers one of my new favorite trees in the garden (a title which admittedly does not hold much weight there, as I shamelessly have many favorites). This Eastern Larch (Larix larcina) was in the garden on one of the main paths - hiding in plain sight. Yet for the first 8 months of my regular visits to the garden, somehow I did not notice or appreciate this tree until Dan pulled it out for work. Things often go this way at Elandan Gardens as I am now somewhat numbed to great material. I regret I do not have as many pictures of our transformation on this tree as I would like due some lost data including before pictures (always very useful), a video of Dan's die grinder carving, close-ups of the foliage and carving, and other manipulations we did. Because of that, I would especially encourage you to see this impressive tree in person if you can instead of relying on my limited photos!
The mostly finished version captured on April 1, 2017.