Last time I gave y’all a thorough
    review of
    6 different kintsugi methods
    you can choose from based on the needs of your pot-mending situation. After completing this review, out of respect for my current situation as a
    graduate student with limited time and funds, I opted to try one of the
    simplest methods - the
    "2-in-1 Step Method: Oozing Colored Epoxy". As I previously described, this method requires the least supplies,
    hands-on steps, and wait time while providing a durable end product. Because
    this method had concerns regarding control of the aesthetic quality, my next question was whether these limitations could be improved upon. Hence, today's article covers several trial pots I repaired with this method to observe
    and tweak the 2-in-1 Step technique. My results from the final pot I repaired (see below) advance the 2-in-1
    Step Method as it demonstrates the ability to use this method to cleanly
    fill large missing pieces in some circumstances, which has not previously
    been reported. Combined with the careful application of the colored epoxy, this technique
    may now be closer to the quality associated with the more complicated kintsugi repair techniques.
Sections
- Kintsugi Methods (Last time)
- Traditional Kintsugi Using Natural Products
- Quick 2 Step: Superglue & Oil Sharpie
- 2-in-1 Step: Oozing Colored Epoxy
- 3 Step: Epoxy Mend, Scrape, & Paint
- 4 Step: Epoxy Mend, Scrape, Lacquer, & Gild
- Professional 5 Step: Mend, Scrape, Lacquer, & Gild
- Protocol Summary Table
- Or... just leave the pot broken!
- Refining the 2-in-1 Step Method (This time)
- First Attempt - Silver Show Pot
- Gold-Repaired Mug
- Gold Tropical Pot - Blending Unevenness
- Mini Gold Challenge Pot - Fine Lines, Gaps, and Missing Pieces.
- Final Refined Protocol - 2-in-1 Step Method: Oozing Colored Epoxy
- Blog Announcements
- References